Nathaniel's Scriptorium Ambo
"Beyond the Cretan Citrus Grove"
colored drawing on paper on cardboard
I am going to have to circle back to this game.
I am going to have to look around for some reformatted rules with the errata included or something and play more.
The are several things here worthy of a more thorough, careful, investigation and examination. And I just want to play it more. The “survey of solitaire games” isn’t meant for in-depth analysis. It’s more about impressions, accessibility, ease, clarity, etc.
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| Unpunched, but soon-to-be punched, FoF 1st Ed. |
I’ve also assiduously avoided forums and general discussion about “Fields of Fire” for fear of contamination. I wanted go into this as free from any bias as possible. Thankfully, I know next to nothing about FoF’s genesis or design history.
To be honest, I hadn’t heard of it before the 2nd edition was released. I assume that’s when I picked up this unpunched 1st edition, around 2014, I’m guessing. It’s been sitting here collecting dust for years. I think I opened it once, looked it over, and said, “I’ll get to this later.” Well, later is now now.
Anyway, so there is an improved 2nd edition out there, but I haven’t seen it. I imagine some portion of any criticism I offer here was probably at least somewhat addressed in the revised version, but I really couldn’t know for sure.
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| Cards in plastic. Do I have to sleeve these now? |
And let’s call the game “FoF” from now on in this post. “FoF” means “Fields of Fire.”
First things first, with this game you get a quality GMT box and components. Counters and cards are easy to use. Good stuff. No complaints. Well designed. Aesthetically pleasing and utilitarian. However, to talk about 1st edition FoF we have to consider the game itself apart from the literature i.e. the first edition rulebook.
The first edition rulebook is just bad. I think there are missing rules. Not incorrect rules, at least not many, just missing. Things left unsaid. Or key pieces of information whose manner of presentation is both so disparate and so well camouflaged that I can’t seem to consistently pull them together in a timely way when I need to.
The rulebook is not ordered well. Seems like it should be, the language seems clear enough, there aren’t typos to speak of, but there seems to be an assumption that the player knows certain things about the game that aren’t ever presented in the rulebook. There is this lurking hint of an expected a priori knowledge throughout. Sometimes reads like some of the rules sections were pieced together from a Q and A session that you weren’t privy to.
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| I don't like punching counters. |
There are also instances of vague language or undefined terminology used in a regulation or rules statement. There are a bunch of little gaps in procedural and sometimes conceptual explanations. Makes certain play sequences a little difficult to parse.
Here’s a solid example; the actual use of the Action deck isn’t described well. I’ve never played a game that uses cards the way FoF does. I could have used a little more elaboration on this core fundamental and somewhat, to me, novel idea of an Action deck.
Moreover, the explanation of components is confusing and incomplete too, or presented strangely somehow. The labels on cards in diagrams intended to explain the cards’ various symbols and numbers are poorly referenced in and related to the accompanying text. Some symbols left unexplained.
And vital information and rules introduced in a chaotic and scattered way. The AT combat modifier on VOF chits, for example, Page 30, Anti-Tank combat modifier on VOF counters explanation in a little brown box – this rule and closely related information is presented in 3 other areas in the text, these VOF modifiers chits are used constantly during the game, but the explanation of the smaller of the two numbers on these vitally important game pieces is buried in the rules in a little colored offset box. These colored boxes are used for everything from design notes and historical footnotes . . . to presenting vital core rules! What are the criteria for shoving info into those brown boxes? No rhyme or reason to it.
And just generally, related rules are spread out in different sections across the whole document, poorly cross-referenced or not cross-referenced at all. And there’s also several instances where vital info is sprinkled in alongside more general introductory descriptive text. Mixing actual rules with procedural descriptions without any sort of contextual signifier, or just placed or presented in an illogical or otherwise counterintuitive order, some odd choices, etc., very piecemeal, again, often feels very patched together as if the text was taken or lifted from another older longer document.
But now let’s completely forget the dumb rulebook and focus on the game.
I ended up enjoying this a lot more than I thought I would, or maybe should, have. There’s something slightly indulgent about FoF.
It’s the kind of game you find yourself thinking about even when you’re not playing it.
I say “Fields of Fire” is a beast apart. For most of us, this is not a game you sit down with one Sunday afternoon and play. It’s one of those you have to take some time with, get to know it pretty well. A game where not only is the campaign king, but it’s part of actually playing the game. You don’t just play one game of FoF and quit.
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| PC markers at the ready. The A's are almost certainly bad guys trying to kill you. |
But it’s not really a product for the casual gamer, is it? Once I got it set up, and got to what I felt was actually playing, those first turns were still slow with lots of rules lookups as new situations arose.
There is a ton of variety in terms of factors applied to specific actions or firefights. There are many small but still meaningful and interesting modifiers that stack as you figure out the effects of different commands and troop actions. A dynamic situation. It can get a little complex in some ways, admittedly, but it’s good stuff.
What I’m finding with the solitaire designs is that they’re often so heavily abstracted and mechanical that you have to just set them up and start going through the motions to understand how they work. In the case of FoF, the complexity itself is part of the process of convincing you that there is an opposing force, an otherness in opposition “out there.” And it succeeds. Yet it’s very difficult to achieve this effect. To inspire this feeling in the player requires a fastidious balance and corralling of the randomness into novel but also sensible, useful, information. This game has a great bot, in my opinion.
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| I don't even know if I'm paying this right, but this turned into a real slugfest up here around the objectives. That PDF in the upper right shldn't be there, it's just there to remind me that an unspotted German FO is calling in strikes on that card. |
Playing an infantry company captain . . .
This is not to every gamer’s taste, of course, no game is, but there are signs here of a conscientious deliberate appeal to the infantry tactics officer mind, a certain realism, emphasis on command and control as it should be, concreteness in specific ways. The platoons break all the way down to teams. But you’re counting rounds of ammo and patching together communications networks on the fly. You have like one .50 caliber and you need to use it wisely. The enemy can be ruthless.
It's a game of command and control. Cease fire orders are absolutely necessary. There’s crossfire and smoke signals, and you can phone in artillery strikes. There's the Initiative phase, the so very American Initiative Phase, where a couple brave units can take big heroic actions completely disregarding the chain of command. No orders, just action. There’s a serious attempt here to give play the rhythm of company operations with various impulse and initiative phases, a clever use of time. Psychic energy is almost quantified as a currency. Commands and orders can be saved representing time and energy used efficiently.
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| Another nasty end stage fight. There's a pinned marker for the German fire team buried under the heavy weapons VoF. |
FoF just does some things so well.
It may be more accurate to regard it as more of a game system than just a game. It can produce literally many thousands of unique scenarios to play. Tens of thousands. More maybe.
And I feel “Fields of Fire” was carefully crafted, it has coherence, and an internal logic. That’s something I look for. A sort of holism emerges in quality games. FoF has a bit of that, at least.
It’s a specific vision doing a specific thing. Distinct. Maybe distinguished.
Still, there are significant issues with the 1st edition, so the second edition was necessary. There’s a cool game in here that was completely hobbled by a bad rulebook.
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| My end to the first mission of the Normandy Campaign. It's probably the simplest setup you can have. I called it victory and ended the game at this point. Rows 1 and 2 were clear of German units and I have units in the Objective cards without any German units present on those cards. Funny, the rules never really say how to end the scenarios. They give you victory conditions and campaign company maintenance rules but not really a guide to wrapping up on map activity . . . |
Ultimately, though, for most people, there’s probably a touch too many little details to track here. The game demands an upfront investment of sorts. A steeper price than average for admission. But I enjoy it. Willing to pay. The carefully selected menu of kinetic factors to emphasize and which to handle more abstractly is a flavorful mix. The game has a very distinct feel and charm. No included detail was arbitrary or without meaning and impact on the larger tactical situation. There’s some elegance in this somewhat tricked-out chromy mass.
Also note that here’s a title that if you don’t want to use reference tables and look things up you should avoid.
It’s probably the sort of thing where either you really like it or you don’t.
As for me, this is a game I plan on revisiting soon. Would recommend to a more experienced solitaire wargamer. Probably would advise against the 1st edition.
A phrase that's difficult to render in contemporary English because it's neither contemporary nor English.
We're making progress, though. The text is being cleaned up, the tables and charts are coming along and the demonstration game setup is slowly but surely taking shape.
Shown here are all the cavalry and infantry troop figures for one side of a two player game. Not pictured are the artillery and other equipment pieces each player also needs. Eventually, all of one side's pieces will be red and the other player's pieces will be ivory or whitish.
My paintings will hang at North Water Street Gallery a little longer now. Cool.
mixed media on newspaper on cardboard, 31 x 40 inches.
I love Paul Klee. Brilliant designer. Unsurpassed stylist. A very special human being. I worked through the better part of his notebooks and Bauhaus lessons and while I'm not saying it was a complete waste of time, it was almost a complete waste of time. Not sure if he was a hustler or was sincerely attempting to document and explain his process in earnest technically, but the teachings amount to a whole lot of psuedo-intellectual hot air. Couched in exclusivity jargon and fancy terms for brick-simple concepts, the bulk of the materials aren't worth the time for a person trying to improve his or her craft. People claiming his writings on Art are on par with da Vinci are lying or confused. Whereas da Vinci informed generations of not just artists and craftspeople but also engineers and technicians, Klee's writings are thousands of pages the end result of which can be better internalized by understanding the golden mean and a brief survey of his artist's statement/manifesto. Or better yet, study his pictures. I imagine it was a combination of needing to justify his approach and teaching position, keep pace with the intelligentsia fashions of pre-Great War Germany and fill time when asked to speak publicly on his work that led to his prodigious overly complex prose. That or he was sincere and extremely neurotic. His math exercises take the student on long tedious journeys of arithmetic that end up illustrating principles that if not patently obvious or intuitively graspable are demonstrable by considerably more direct and simple means. That and they aren't particularly helpful to a person trying to improve his or her design powers.
Regardless, he's great. My favorite of the...whaddya call it? Was he Cubist or Expressionist? Whatever. I'm glad he defies classification. That's a hallmark of Quality, in my humble opinion.
Oh, also, like Klee, I made this frame by hand for the painting and the mat area is part of the painting itself. Note that the original is around 10.5" x 15.5" whereas my loose interpretive copy is a bit bigger at 31 x 40 inches. It hangs in my home above the landing on the stairs.